At the 83rd Academy Awards, The King’s Speech won the Academy Award for Best Picture, Best Director (Tom Hooper), Best Actor (Colin Firth), and Best Original Screenplay (David Seidler). The film had received twelve Oscar nominations, more than any other film. Besides the four categories it won, the film received nominations for Best Cinematography (Danny Cohen) and two for the supporting actors (Helena Bonham Carter and Geoffrey Rush), as well as two for its mise-en-scène: Art Direction and Costumes.
The King’s Speech is a 2010 British historical drama film directed by Tom Hooper and written by David Siedler.
Firth plays King George VI, who, to overcome his stutter, is introduced to Lionel Logue, an unorthodox speech therapist played by Geoffrey Rush. The two men become friends as they work together, and after his brother abdicates, the new king relies on Logue to help him make a radio broadcast at the beginning of World War II.
The film opens with Prince Albert, Duke of York (played by Colin Firth), the second son of King George V, speaking at the close of the 1925 British Empire Exhibition at Wembley Stadium, with his wife Elizabeth (Helena Bonham Carter) by his side. His stammering speech visibly unsettles the thousands of listeners in the audience. The prince tries several unsuccessful treatments and gives up, until the Duchess persuades him to see Lionel Logue (Geoffrey Rush), an Australian speech therapist in London. In their first session, Logue requests that they address each other by their Christian names, a breach of royal etiquette. He convinces Albert to read Hamlet’s “To be, or not to be” soliloquy, while listening to the overture from Mozart’s The Marriage of Figaro on headphones. Logue records Albert’s reading on a gramophone record, but convinced that he has stammered throughout, Albert leaves in a huff. Logue offers him the recording as a keepsake.
As King George V (Michael Gambon) makes his 1934 Christmas address, he explains to his son the importance of broadcasting for the modern monarchy. Later, Albert plays Logue’s recording and hears an unbroken recitation of Shakespeare in his own voice. He returns to Logue, and they work together on muscle relaxation and breath control, while simultaneously probing the psychological roots of his stammer. The Prince reveals some of the pressures of his childhood: his strict father; the repression of his natural left-handedness; a painful treatment with metal splints for his knock-knees; a nanny who favoured his elder brother – David, the Prince of Wales, deliberately pinching Albert at the daily presentations to their parents so he would cry and his parents would not want to see him; and the early death in 1919 of his little brother Prince John. As the treatment progresses, the two become friends and confidants.
On 20 January 1936 when George V dies, David, the Prince of Wales accedes to the throne as King Edward VIII (Guy Pearce), but he wants to marry Wallis Simpson (Eve Best), an American divorcée socialite, which would provoke a constitutional crisis. At a party in Balmoral Castle, Albert points out that Edward cannot marry a divorced woman and retain the throne, Edward angrily accuses his brother of a medieval-style plot to usurp his throne, citing Albert’s speech lessons as an attempt to ready himself for power. Albert is tongue-tied at the accusation, and Edward resurrects his childhood taunt of “B-B-Bertie”. At his next session, the Prince has not forgotten the incident. In an attempt to console him, Logue insists that Albert could be king and says the shilling of their wager should bear the Duke’s head as monarch. Albert accuses Logue of treason and, in a temper, he mocks Logue’s failed acting career and humble origins, causing a rift in their friendship.
When King Edward abdicates to marry, Albert becomes King George VI. He needs Logue’s help and he and the Queen visit the Logues’ residence to apologise. When the King insists that Logue be seated in the king’s box during his coronation in Westminster Abbey, Dr Cosmo Gordon Lang, the Archbishop of Canterbury (Derek Jacobi), questions Logue’s qualifications. This prompts another confrontation between the King and Logue, who explains he began by treating shell-shocked soldiers in World War I. The King had served in the Royal Navy during the Great War. When Logue sits in St Edward’s Chair and dismisses the Stone of Scone as a trifle, the King’s clear remonstration of Logue’s disrespect for the relics leads him to realise that he is as capable as those before him.
Upon the September 1939 declaration of war with Germany, George VI summons Logue to Buckingham Palace to prepare for his radio speech to the country. As the King and Logue move through the palace to a tiny studio, Winston Churchill (Timothy Spall) reveals to the King that he too had once had a speech impediment but had found a way to use it to his advantage. The King delivers his speech as if to Logue, who coaches him through every moment. As Logue watches, the King steps onto the balcony of the palace with his family, where thousands of people assembled for the speech applaud him.
A final title card explains that, during the many speeches King George VI gave during World War II, Logue was always present. It is also explained that Logue and the King remained friends, and that, “King George VI made Lionel Logue a Commander of the Royal Victorian Order in 1944.”
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