Category Archives: Movies

How To Get a Body Like Kate Beckinsale: The Underworld Fitness Revolution

To achieve Kate Beckinsale’s tight-fitting rubber catsuit, we checked with Jessica Alba’s personal trainer, Ramona Braganza. They used my 3-2-1 training method, using cardio, circuits and core work. She also filmed outside in the cold, to boost her metabolism.’

Kate’s workouts started with yoga-inspired stretches such as sun salutations and downward dogs, Braganza told Health & Fitness. These total body stretches get the blood flowing to all the major muscle groups.
Stunning figure: Beckinsale shows the exercise regime was worth it in Underworld.

The pair would then do some strength training for 45 to 60 minutes and Kate would finish the session with her own cardio.

When training, the actress asked Braganza to focus on her lower body. He said: ‘Kate works hard when she steps into the gym – we trained her full body, giving her legs and bum extra attention.’

Mission: Impossible – Ghost Protocol – Is Any Mission Possible Without Tom Cruise Sprinting?

Whether you’ve watched Mission Impossible movies, Vanilla Sky, or Last Samurai you’ve probably glanced at Tom Cruise’s classic sprint. Cruise runs like a pro: a compact machine, arms and legs in perfect precision, well-tuned pistons flying. He may be approaching the mid-century mark, but he still runs like a kid.

Check out the link below to see Cruise sprint in his latest debut Mission: Impossible – Ghost Protocol.

Jim Carrey Love Letter Video to Emma Stone becomes Viral

Jim Carrey, an apparent videographer at heart, videotaped a confession of love for Emma Stone. The true intentions of this satirical love letter has been subject of public debate.

Carrey tells 22-year-old Stone: “If I were a lot younger, I would marry you, and we would have chubby little freckle-faced kids. We’d laugh all day long and go camping and play Yahtzee and tell ghost stories by the fire.”

Carrey’s Rep simply told “Access Hollywood”: “It’s a comical love letter.”

Movie Review: Harry Potter and the Deathly Hallows – Part 2

Harry Potter and the Deathly Hallows – Part 2 is a 2011 epic fantasy film[directed by David Yates and the second of two films based on the novel of the same name by J. K. Rowling. It is the eighth and the final instalment in the Harry Potter film series, written by Steve Kloves and produced by David Heyman, David Barron and Rowling. The story continues to follow Harry Potter’s quest to find and destroy Lord Voldemort’s Horcruxes. The film stars Daniel Radcliffe as Harry Potter, alongside Rupert Grint and Emma Watson as Harry’s best friends, Ron Weasley and Hermione Granger, respectively.

As Lord Voldemort retrieves the Elder Wand from Albus Dumbledore’s grave, Severus Snape has become Hogwarts’ headmaster. Meanwhile, after burying Dobby, Harry Potter speaks with the goblin Griphook about breaking into Bellatrix Lestrange’s vault at Gringotts bank, suspecting that a Horcrux may be hidden there. Griphook agrees to take Harry, Ron, and Hermione to the vault in exchange for the Sword of Gryffindor. Harry asks Ollivander, the wandmaker, to identify two wands they took from Malfoy Manor. Ollivander says they belonged to Bellatrix and Draco Malfoy, but Malfoy’s wand has changed its allegiance to Harry.

At Bellatrix’s vault, Harry discovers that the Horcrux is Helga Hufflepuff’s Cup. He obtains the cup but Griphook takes the sword and abandons the trio, leaving them cornered by the alerted security. However, the three release the dragon guardian and flee. Harry has a vision of Voldemort killing goblins, including Griphook (the sword can be seen vanishing from his dead hands), and learns that the Dark Lord has discovered the theft. Harry also learns there is a Horcrux at Hogwarts, that is in some way related to Rowena Ravenclaw. The trio apparate into Hogsmeade, which sets off an alarm. They are rescued by Aberforth Dumbledore, who instructs a portrait of his younger sister, Ariana, to fetch Neville Longbottom, who leads the trio through a secret passageway into Hogwarts.

Snape hears of Harry’s return and informs staff and students of the severe punishment for aiding Harry. Harry confronts Snape, who flees after Minerva McGonagall challenges him to a duel. McGonagall gathers the community of Hogwarts to prepare for battle. At Luna Lovegood’s insistence, Harry speaks to Helena Ravenclaw’s ghost. She reveals that Voldemort performed “dark magic” on her mother’s diadem, which is in the Room of Requirement. Ron and Hermione go to the Chamber of Secrets, where Hermione destroys Helga Hufflepuff’s Cup with a Basilisk fang. In the Room of Requirement, Draco Malfoy, Gregory Goyle and Blaise Zabini attack Harry, but Ron and Hermione intervene. Goyle casts a Fiendfyre curse and is burned to death, but Malfoy and Zabini are saved by the trio before destroying the Ravenclaw diadem. As the school is attacked by Voldemort’s forces, Harry, during a trip into Voldemort’s mind, realizes that his snake, Nagini, is the final Horcrux. After entering the boathouse, the trio witness Voldemort telling Snape that the Elder Wand cannot serve him until Snape dies, and has Nagini kill Snape. Before dying, Snape tells Harry to take his memories to the Pensieve. Meanwhile, in the battle, Fred, Remus, Tonks and Lavender are killed.

Harry learns from Snape’s memories that Snape loved Harry’s mother Lily. Following her death, Snape agreed with Dumbledore to protect Harry from Voldemort out of his love for Lily. He also learns that Dumbledore’s death at Snape’s hands was planned between them. Harry learns that he became a Horcrux when Voldemort originally failed to kill him and that he must die in order to destroy the piece of soul within him. Harry goes to die at the hands of Voldemort in the Forbidden Forest, after being comforted by the appearance of his parents, Sirius and Remus with the Resurrection Stone. Voldemort casts the Killing Curse upon Harry, who finds himself in a strange limbo where Dumbledore’s spirit meets him and explains that the part of Voldemort within Harry was killed by Voldemort’s own curse. Harry decides to return to his body to face Voldermort for the final time.

Voldemort announces Harry’s death to everyone at Hogwarts, and that anyone who defies him will be killed. As Neville gives a speech, Harry reveals that he is alive. Neville draws forth the Sword of Gryffindor from the Sorting Hat, and as Harry and Voldemort duel across the school, Neville decapitates Nagini, leaving Voldemort mortal. During this time, Molly Weasley disarms and kills Bellatrix. Voldemort is killed as the Elder Wand returns to Harry. After the battle, Harry explains that the Elder Wand had recognised him as its master because he had disarmed Draco at Malfoy Manor, who in turn had disarmed its previous owner, Dumbledore. Harry snaps the Elder Wand, rejecting its power.

Nineteen years later, Harry and Ginny Potter, along with Ron and Hermione Weasley, watch proudly as their children leave for Hogwarts from King’s Cross station.
Cast:
Daniel Radcliffe as Harry Potter, the film’s main protagonist.
Rupert Grint as Ron Weasley, Harry’s best friend and Hermione’s romantic interest.
Emma Watson as Hermione Granger, Harry’s other best friend and Ron’s romantic interest.
Helena Bonham Carter as Bellatrix Lestrange, a Death Eater and Sirius Black’s cousin/murderer.
Jim Broadbent as Horace Slughorn, the Potions master at Hogwarts.
Robbie Coltrane as Rubeus Hagrid, Harry’s half-giant friend and a former staff at Hogwarts.
Warwick Davis as Filius Flitwick, the Charms master at Hogwarts; and Griphook, a goblin and former employee at Gringotts Bank.
Ralph Fiennes as Lord Voldemort, an evil, power-hungry wizard, and the leader of the Death Eaters. The chief antagonist of the series.
Michael Gambon as Albus Dumbledore, former headmaster of Hogwarts killed two films earlier by Severus Snape.
John Hurt as Ollivander, a wandmaker abducted by the Death Eaters.
Jason Isaacs as Lucius Malfoy, Draco Malfoy’s father and a disgraced Death Eater.
Gary Oldman as Sirius Black, Harry’s godfather. Killed in battle three films earlier by Bellatrix Lestrange.
Alan Rickman as Severus Snape, former Potions and Defence Against the Dark Arts teacher and the new headmaster of Hogwarts. Also, the bravest man Harry ever knew.
Maggie Smith as Minerva McGonagall, the Transfiguration teacher at Hogwarts.
David Thewlis as Remus Lupin, a member of the Order of the Phoenix and a former Defence Against the Dark Arts teacher at Hogwarts.
Emma Thompson as Sybill Trelawney, the Divination teacher at Hogwarts
Julie Walters as Molly Weasley, the Weasley matriarch and a mother figure to Harry.

New Release:Rise of the Planet of Apes

The film opens at Gene Sys (pronounced “Genesis”), a genetic therapy pharmaceutical company. (Plot sidenote: Genetic therapy is real science. A virus is used to deliver new genetic material to a living organism, thus changing its DNA. This works on children and adults, whereas most genetic manipulation would take place before or at fertilization.)

Female ape (name? a key character) is woking the tower puzzle. She solves the puzzle in 20 moves; 15 is a perfect score. She is more sociable, calm, than normal apes. Will Rodman (Franco) talks to his boss, Steve Jacobs (Oyelowo), and convinces Jacobs that he has data to proceed with human trials. Female Ape is proof that ALZ 112 works. They must present to the board and get approval.

Cut to Rodman and Franklin in conference room presenting to the board the next day. The new drug causes neurogenesis, which allows the brain to grow new brain cells (something that doesn’t happen after birth) and heal any number of degenerative brain disorders, such as Parkinson’s or Alzheimer’s. The only side effect is turning the eyes green.

Meanwhile in the lab, Robert Franklin (Labine) is the senior ape caretaker. He cannot coax female ape out of cage. She is late for her appearance before the board. They finally get her out of bed with orange soda and try to wrangle her. She goes “ape.” With newfound intelligence, she can now use the lasso pole against the lab techs. A chase ensues, which ends in the lobby, and female ape crashes through the glass into the conference room. Security guards fire about 6-10 rounds into female ape and take her down.

Jacobs pronounces the drug project dead. The risk of violent side effects is too high. Rodman appeals, but Jacobs heads straight to the lab and tells Franklin to dispose of the apes. He appeals to his humanity, but Jacobs is insistent in the the danger.

Later in the day, Rodman meets Franklin in the lab. Female Ape, as it turns out, was not violent due to the drug, but had just given birth and was protecting her child. Franklin did not have the heart to give the baby the lethal injection. He tells Lando to take the baby home or to kill it. Lando reluctantly agrees.

At home, we find out Lando’s secret motivation. The nurse is leaving, commenting, “He has had a bad day.” Someone is playing the piano in the next room.. badly. I IS Charles Rodman (Lithgow), Rodman’s father and Alzheimer victim. The baby ape turns out to be therapy (both social and activity) for father. Father names him Caesar, after Julius Caesar (implied, after his favorite Shakespeare play.)

Cut to three years later. Caesar walks out of the bathroom as we hear the toilet flush. We get to follow Caeser through the house. He swings from chandeliers, moving naturally as ape through the house, all the way up to the attic, which is his room. He likes to watch the neighborhood out the window. Caesar is adept at sign language, and communicates complex ideas and statements.

Father is in altercation with nurse. Rodman steps in, and nurse states he needs to go into a home for his own safety. He has a gash in his hand. Rodman decides to steal ALZ 112 and treat his father, who is reborn overnight.

Caesar feel the call of the wild and decides to sneak outdoors, then into neighbor’s house, scaring Alice Hunsiker half to death. Mr. Hunsiker (Hewlett) is chasing Casear through his house with a bat. Father hears the commotion and rescues Caesar from a good beating. Caesar has a deep gash in his right leg.

Rodman takes Caesar to the zoo, sneaking him in a baby carriage. He takes him to the vetenarian, Caroline Aranha (Pinto). She stitches him up. Caesar insists she come over for dinner. Rodman and Aranha develop a romance. She marvels at how smart Caesar is.

To counter Caesar;s wanderlust, they take him across the golden gate bridge to the Red Oak forest, for play time. Caesar will not leave Rodman, but makes supplication gesture of extending out arm, palm up. (He asks for permission to play.) Aranha explains this to audience & Rodman. Rodman lets him.

Five years later. Aranha has married Rodman (confirm?), and is now living as part of family.

ALZ 112 is no longer working for Father. Rodman reasons his immune system has developed antibodies and a more aggressive virus is needed. Rodman goes to Jacobs, confesses his secret experiment with his father, explains the drug not only repairs, but makes people smarter. He says he has reworked the virus and needs Jacobs to approve new animal testing.

Meanwhile, Father is at home. He gets confused and goes out to the street and gets in neighbor Hensiker’s car, which has keys in it. Father tries to drive, but only hits car in front and behind multiple times. Hensiker is furious, and pulls Father out of the car, yelling, shouting, pointing finger. Father is confused, and is now getting upset.

Caesar’s instinct kicks in and he responds to threat to his family. He throws Hensiker to the ground, climbs trees, jumps down again on top of him. He bites a finger off. “Casear, no!” yells Father; he is no longer foggy. Caesar stops. Caesar is sent to “jail” – a primate sanctuary. Rodman and Arahna walk him in and say good bye.

First day in the preserve is tough. Lucky (the alpha male ape) tears off Caesar’s shirt and beats him up. Later, mean caretaker Dodge Landon (Felton) responds violently to Caesar’s challenge to his authority by turning the firehose on him. Caesar discovers an orangutan across the aisle from him speaks sign language.

12 Apes are shipped to Gene Sys from the primate preserve, but lucky is not one of them. The first ape exposed to ALZ 113 (the new, more aggressive virsu) is one of Caesar’s friends. He struggles slightly when exposed to the new drug, accidentally exposing Franklin to the ALZ 113.

That night, Rodman takes ALZ 113 to treat his father. Father refuses treatment, and dies that night in his sleep. Rodman takes 2 days off work for the funeral.

Meanwhile, Dodge brings his friends to the preserve and Caesar manages to steal a pocket knife from one of the boys. Caesar can now use the pocket knife to unlock his cage and run errands at night. He befriends the large Gorilla in the yard, who is never let out of his cage, by letting him loose. He then releases Lucky, who ventures into the yard. Caesar hits him with a steel gas can. Lucky realizes that the Gorilla is loyal to Caesar, and submits. Caesar is now the alpha male. Caesar lets Lucky out of the cage and allows him to give stolen cookies (from Dodge) — one to each ape, solidifying the solidarity of the group. Caesar finds a way out through the roof.

Rodman returns to work, where Jacobs has greedily pushed the research schedule ahead wrecklessly. Rodman and Jacobs argue. Rodman states, “We don’t know how this will affect humans yet.” Franklin, nearby, sneezes blood, as he has been infected by RLZ 113. Rodman quits and decides to break Caesar out of the preserve. He bribes John Landon (Cox and father of Dodge) to let Caesar go. Caesar refuses to go with him.

That evening, Caesar busts out, through the window he found, and goes back home. He steals ALZ 113 from Rodman’s refridgerator, and gives it to the apes at the preserve. The next day, John Landon observes the apes having something like a conference. The apes scatter, playing it off. Landon dismisses it as just something weird.

That night, the apes bust out of the preserve. Caesar does not return to his cage, confronting and defeating Dodge in the yard. He speaks for the first time, shouting “No!” The other caretaker witnesses this and runs into the cage area, trying to rescue the now unconscious Dodge.

The apes attack him, but Caesar calls them off and gives him mercy, putting him in his cage. Dodge tries to escape and gets killed. (He is holding a tazer and Caesar hits him with fire hose.)

At Dawn, Lando tries to call to check on Caesar. No one answers at the preserve. He drives out to the preserve to investigate. He finds it wrecked. He finds the ALZ 113 canisters. He decides to raise the alarm.

Meanwhile, the apes are now crossing town, heading separately to the zoo as a liberation force and to Gene Sys.

Meanwhile, because he is sick, Franklin goes to Rodman’s home, seeking help. Hunsiker confronts Franlin, who is snooping around his neighborhood. Franklin accidentally sneezes on him when he is startled.

Jacobs gets a phone call from lab assistant. Franklin was found dead in his apartment. ALZ 113 is lethal to humans. Their conversation is cut short when the apes attack Gene Sys, liberating the 12 fellow test subjects.

At the zoo, the big Gorilla smashes the ape cage and the apes are loose. The apes take pieces of the cage, shaped like spears.

Begin climactic action sequence.

Now some 50-60 apes, chimps, and gorillas strong, the group heads through town to the Golden gate bridge. They are headed to the Red oak forest. Animal control catches an ape, who is liberated by his fellow apes throwing spears at the truck. The apes seem to be intentionally preventing human deaths.

Fog has rolled into the bay, and visibility ont he bridge is about 40 feet. The apes stop traffic and cause mayhem. The police barricade the other end of the bridge. Caesar sees the ambush, and so sends the apes to climb the cables of the bridge and the structure underneath to ambush the ambush. The apes overwhelm the police force and send them running, with minimal casualties. Jacobs arrives in his helicopter and begins to use automatic weapon fire to lay waste to the apes. The big gorilla heroically jumps off the bridge onto the helicopter and brings it down, but suffers mortal wounds.

The apes proceed unabated to the forest.

Rodman is giving chase, and gets through the baricade in a stolen police car to catch up with Caesar. He finds Caesar and urges him to come home. Caesar speaks “I am home.”

Hunsiker comes out of his house in a pilot’s uniform. He drives to work. In front of the flight board, he has a nose bleed. The camera pans up to the flight board, suggesting all these places will soon be infected wih RLZ 113, sealing mankind’s fate

New Release:Cowboys and Aliens

Based on the graphic novel by Scott Mitchell Rosenberg, Cowboys & Aliens starts in 1800s Arizona, where the local cowboys, headed by gunslinger Jake Lonergan (Daniel Craig), and the indigenous Apache tribe have been feuding fiercely for quite a while. Their skirmish is interrupted, however, by the appearance of a spaceship, commanded by an alien creature that’s bent on enslaving the human race. It’s time for a six-gun shoot-out between these cattle rustlers and space invaders, and there might even be a temporary peace between the cowboys and Indians as they both take aim at these extraterrestrial uninvited guests. Jon Favreau directs from a script by Star Trek scribes Alex Kurtzman and Roberto Orci, with help from Lost’s Damon Lindelof. Olivia Wilde, Harrison Ford, and Sam Rockwell fill out the headlining cast.

Celebitrix Launches ‘The Weekend Movie’ Flash Trailer

One of the key sources to launching a successful website for a movie or DVD is the ability to manage your resources and keep close communications with your clients during the design and incubation period of project. Without use of tools like a web extranet, clients may begin to feel like they’re not up-to-date with the design process and approvals.

One of the challenges with movie representation on the web is to capture still and animated shots that fully represent its theme, but not giving away too much flare.

In a nutshell, when you watch a flash movie trailer online, you want to adapt to your viewers by making sure they have some anticipation by the end of the viewing experience. Creating creative social interactive moments can help produce viralbility and increase public awareness.

Watch Flash Trailer

Check out Web Consulting Services offered by Celebitrix

 

New Realese:United Red Army(NR)

Portrays the turbulent times leading up to the Asama lodge incident, when five members of the Japanese United Red Army, following a bloody purge that left twelve members of the group dead, broke into the holiday lodge below Mount Asama taking the wife of the lodge-keeper as a hostage. A standoff between police and the United Red Army took place, lasting ten days in February 1972.
Released: May 27,2011
Runtime: 3 hr 10 mins
Genre: Drama
Director: Koji Wakamatsu
Cast: Akie Namiki, Akie Namiki, Arata, Arata
In a stark depiction of the dissatisfaction that followed the demise of 60′s idealism, United Red Army follows the story of the titular leftwing Japanese terrorist group that came together in 1972 as two pre-existing groups merged. Interspersed with large amounts of archival footage and employing a semi-pseudo-documentary style, the film visits upon the key historical figures and events that led to the United Red Army eventually purging much of its membership, leading five student radicalists to hole up in the Asano mountain lodge in Nagano Prefecture in a standoff against the police.

New Releases:Thor

Exiled to Earth after his arrogance fans the flames of an ancient conflict, The Mighty Thor (Chris Hemsworth) of Asgard discovers the meaning of humility when a powerful old foe dispatches a destructive force to crush humanity. Only when the banished prince has defeated an opponent capable of crushing him in battle will he learn what it takes to be a true leader. Anthony Hopkins, Natalie Portman, Stellan Skarsgard, and Tadanobu Asano co-star in a comic book adventure from acclaimed director Kenneth Branagh.
The first and most important thing you should know about Paramount Pictures’ Thor is that it’s not a laughably corny comic book adaptation. Though you might find it hokey to hear a bunch of muscled heroes talk like British royalty while walking around the American Southwest in LARP garb, director Kenneth Branagh has condensed vast Marvel mythology to make an accessible, straightforward fantasy epic. Like most films of its ilk, I’ve got some issues with its internal logic, aesthetic and dialogue, but the flaws didn’t keep me from having fun with this extra dimensional adventure.

Taking notes from fellow Avenger Iron Man, the story begins with an enthralling event that takes place in a remote desert but quickly jumps back in time to tell the prologue, which introduces the audience to the shining kingdom of Asgard and its various champions. Thor (Chris Hemsworth), son of Odin, is heir to the throne but is an arrogant, overeager and ill-tempered rogue whose aggressive antics threaten a shaky truce between his people and the frost giants of Jotunheim, one of the universe’s many realms. Odin (played with aristocratic boldness by Anthony Hopkins), enraged by his son’s blatant disregard of his orders to forgo an assault on their enemies after they attempt to reclaim a powerful artifact, banishes the boy to a life among the mortals of Earth, leaving Asgard defenseless against the treachery of Loki, his mischievous “other son” who’s always felt inferior to Thor. Powerless and confused, the disgraced Prince finds unlikely allies in a trio of scientists (Natalie Portman, Stellan Skarsgard and Kat Dennings) who help him reclaim his former glory and defend our world from total destruction.

Individually, the make-up, visual effects, CGI, production design and art direction are all wondrous to behold, but when fused together to create larger-than-life set pieces and action sequences, the collaborative result is often unharmonious. I’m not knocking the 3D presentation; unlike 2010’s genre counterpart Clash of the Titans, the filmmakers had plenty of time to perfect the third dimension and there are only a few moments that make the decision to convert look like it was a bad one. It’s the unavoidable overload of visual trickery that’s to blame for the frost giants’ icy, weaponized constructs and other hybrids of the production looking noticeably artificial. Though there’s some imagery to nitpick, the same can’t be said of Thor’s thunderous sound design, which is amped with enough wattage to power The Avengers’ headquarters for a century.

Chock full of nods to the comics, the screenplay is both a strength and weakness for the film. The story is well sequenced, giving the audience enough time between action scenes to grasp the characters motivations and the plot, but there are tangential narrative threads that disrupt the focus of the film. Chief amongst them is the frost giants’ fore mentioned relic, which is given lots of attention in the first act but has little effect on the outcome. In addition, I felt that S.H.I.E.L.D. was nearly irrelevant this time around; other than introducing Jeremy Renner’s Hawkeye, the secret security faction just gets in the way of the movie’s momentum.

While most of the comedy crashes and burns, there are a few laughs to be found in the film. Most come from star Hemsworth’s charismatic portrayal of the God of Thunder. He plays up the stranger-in-a-strange-land aspect of the story with his cavalier but charming attitude and by breaking all rules of diner etiquette in a particularly funny scene with the scientists, whose respective roles as love interest (Portman), friendly father figure (Skarsgaard) and POV character (Dennings) are ripped right out of a screenwriters handbook.

Movie Review – The Adjustment Bureau Starring Matt Damon

Imagine being a politician running for the United States Senate and soon discovering that every action you take is being overseen by strange men in suits. In the midst of your campaigning you find your boss motionless in their office, and you’re told from the group of men to never see an acquaintance you had met the day before because it would disrupt your destiny. David Norrish endeared this and more in the latest papparazi-esque saga, ‘The Adjustment Bureau’ directed by George Nolfi.

With the vision and description of ‘the bureau’ so blatantly described in this movie, it’s hard not to make an association between the bureau who is actively trying to control David Norrish (Matt Damon) life and the Mafia and its goal to control power centers or areas of massive attention. The lead Chairman of ‘the bureau’, Richardson and his crony Harry guides David Norrish through a life of do’s and don’ts, advising him of perils along the way if he decides to continually see his acquaintance Elise, who seemingly disrupts the plan Richardson has set for David Norrish and his political career.

Eventually Richardson discovers they were meant to be together in one earlier version of the plan. The senior member of the Bureau, Thompson gets involved arguing with David that not only will his future as President of the United States be in jeopardy, but if he stays with Elise, her future as a dancer would be diminished.

David speaks of the bureau’s existence, and is then chased across New York and purposely enters the forbidden Bureau headquarters. They admit their love to each other, and kiss, assuming the worst is about to happen. When they release each other, the Bureau members have disappeared. Thompson appears, only to be relieved of duty by Harry, who tells David and Elise that the Chairman, after seeing the two fight them to be with each other, changed the plan so that the couple could be together.